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第46章论美（1）
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拉尔夫·沃尔多·爱默生RalphWaldoEmerson
Aofmaure，heloveofBeauty.
&GreekscalledtheworldKoouos，beauty.Suchisthestitutionofallthings，orsuchtheplastiaheprimaryforms，asthesky，themouheanimal，giveusadelightinandforthemselves；apleasurearisingfromoutline，oti.Thisseemspartlyowiself.Theeyeisthebestofartists.Bythemutualaofitsstrudofthelawsoflight，perspectiveisproduced，whitegrateseverymassofobjects，ofwhatcharactersoever，intoawelldshadedglobe，sothatwheretheparticularobjectsaremeanahelaheyposeisroundaridastheeyeisthebestphtisthef？irstofpaihereissofoulthatiwilliful.Aimulusitaffordstothesense，andasortofihas，likespadtime，makeallmattergay.Eventhecorpsehasitsowbesidesthisgeneralgracediffusedoveralltheindividualfreeabletotheeye，asisprovedbyoureiohem，asthea，thegrape，thepihewheat-ear，theegg，thewingsandformsofmostbirds，thelion’sclaw，theserpeerf？ly，sea-shells，f？lames，clouds，buds，leaves，andtheformsofmahepal
ForbettersideratioributetheaspectsofBeautyinathreefoldmanner.
1.F？irst，thesimpleperofnaturalformsisadelight.Theiheformsandanatureissooman，that，iioolieontheesofodityaothebodyandmind，whichhavebeencrampedbynoxiousworkorpany，natureismedidrestorestheirtoradesmaorofthedin.andcraftofthestreetaheskyandthewoods，andisamanagaiernalcalm，hef？ihehealthoftheeyeseemstodemandahorizon.Weareneverf？ired，solongasweseefarenough.
Butinotherhours，isf？iesbyitsloveliness，andwithoutanymixtureofcorporealbe.Iseethespefromthehilltainstmyhouse，fromdaybreaktosuhemotionswhigelmightshare.Thelongslenderbarsofcloudf？loatlikef？ishesintheseaht.Fromtheearth，asashore，Ilookoutintothatsilentsea.Iseemtopartakeitsrapidtransformatioiveereachesmydust，andIdilateandspirewiththemwind.HowdoesNaturedeifyuswithafeelemehandaday，andIompofemperorsridiculous.ThedawnismyAssyria；thesuandmoon-risemyPaphos，andunimaginablerealmsoffaerie；broadnoonshallbemyEnglandoftheseheuashallbemyGermanyofmysticphilosophyanddreams.
，exceptforourlesssusceptibilityiernoon，wasthecharm，lastevening，ofaJanuarysuerncloudsdividedandsubdividedthemselvesintopiedwithtintsofuheairhadsomudsweetitaihindoors.Whatwasitthatnaturewouldsay？Wastherenomeaninginthelivereposeofthevalleybehindthemill，andwhierorShakespeareformeinwords？Theleaf？lesstressbeespiresoff？lamei，withthebluecastfround，aarsofthedeadcalicesoff？lowers，aheredstemandstubblerimedwithfrost，tributesomethiemusic.
&antsofcitiessupposethatthetrylandscapeispleasantonlyhalftheyear.Ipleasemyselfwiththegracesofthewintersdbelievethatweareasmuchtouchedbyitasbythegenialinf？luener.Totheattentiveeye，eaentoftheyearhasitsowy，andinthesamef？ield，itbeholds，everyhour，apicturewhieverseenbefore，andwhieverbeseenagain.Theheavensgeeverymomeheirglloomontheplaihestateofthethesurroundingfarmsalterstheexpressiohfromweektoweek.Thesuofsiuresand：roadsides，whichmakesthesilentclockbywhichtimetellsthesummerhours，willmakeeventhedivisionsofthedayseoakeeribesofbirdsas，liketheplantspunctualtotheirtime，followeachother，andtheyearhasroomforall.Bywatercourses，thevarietyisgreater.InJuly，thebluepontederiaorpickerel-weedbloebedsintheshallowportsofourpleasantriver，andswarmswithyellowbutterf？liesinotion.Artotrivalthispold.Iheriverisaperpetualgala，andboastseatha.
ButthisbeautyofNaturewhiaasbeauty，istheleastpart.Theshowsofday，thedewym，therainbow，mountains，orblossom，stars，moonlight，shadowsinstillwater，andthelike，iftooeagerlyhunted，beerely，andmockuswiththeiruy.Gooutofthehousetoseethemoon，aiwillnotpleaseaswhenitslightshinesuponyournecessaryjourhatshimmersiernoonsofOctober，whoevercouldclutchit？Goforthtof？indit，anditisgoiseasyoulookfromthewindowsofdiligence.
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